Blog Home

By New York City Opera
Tuesday, November 17, 2009 | 9:35 AM
Julius Rudel  
Frank Corsaro
 
 
 
 
 
 
 
 
 
This week, opera companies across America are celebrating National Opera Week.  For our part in this celebration, City Opera will be dedicating all performances to this celebratory occasion.
 
We will pay special tribute to Frank Corsaro, who made his directorial debut with us in 1958, and Julius Rudel, who became the General Director of City Opera in 1957, with a short speech from George Steel on stage prior to the performance of Esther this Thursday.  Mr. Corsaro and Mr. Rudel are both recipients of the 2009 National Endowment for the Arts Opera Honors.  
 
Check out these videos about each recipient, including City Opera Dramaturg Cori Ellison's interview about the Julius Rudel era at City Opera.
By New York City Opera
Tuesday, November 10, 2009 | 8:28 AM
The reviews for our Fall productions of Esther and Don Giovanni are pouring in.  You can access them all in one place in our pressroom.   If you have any reviews or comments about these productions please post them on our Facebook page:  http://www.facebook.com/nycopera
 
 
By New York City Opera
Friday, October 30, 2009 | 12:23 PM
Tissues
With all the changes in the weather lately, it seems like everyone in New York is reaching for tissues and hand sanitizer.  But although we all may get a bit fidgety when the person sitting next to us on the subway starts coughing or sneezing, there are few professions that require more health-consciousness than being an opera singer.  Since we've been interviewing the cast of Don Giovanni lately for an upcoming behind-the-scenes video, we got their opinions on how to survive cold & flu season singer-style.  


  • "It is all about sleep. That is number one, really and truly," says Daniel Okulitch, who plays Don Giovanni.  If you're well rested, he says, you can handle situations that could leave you prone to sickness, like riding the subway or touching props that may have been coughed on...kissing your costars in rehearsal doesn't help, either.  His castmates all put being well-rested near the tops of their lists.


  • When Gregory Turay, who's singing Don Ottavio, says to "eat right," he has very specific ideas of what it means.  Only fruit in the mornings, sushi, veggies, no dairy, starches, sugars, or carbs.  "You want to make your body as alkaline as possible," Turay says, "so the viruses don't have an opportunity to thrive." He also recommends tea with lemon, honey and cayenne pepper when you're feeling under the weather.


  • "I've used three things to keep me healthy: sleep, Zicam, and chocolate" says Joélle Harvey, who's playing Zerlina.  "Definitely chocolate.  I don't know about health benefits, but it makes everything feel better."


  • Amanda Pabyan, who's covering the role of Donna Anna, has to be the one left standing when everyone gets sick.  What's her secret? "Swish with pineapple extract and water when you feel that scratch on your throat.  You can also buy it in pill form.  The extract is a homeopathic anti-inflammatory and the juice takes the sting away from a sore throat." 
 
Other popular answers from the whole cast were to exercise regularly and wash your hands frequently.  "Basically, take care of yourself and be considerate of your colleagues," says Amanda Pabyan, "if one person is sick, it's really easy to pass it from person to person." 
By New York City Opera
Monday, October 26, 2009 | 12:14 PM
Joyce DiDinato
Joyce DiDonato
Playbill Arts recently interviewed Joyce DiDonato, who will be appearing here next week in our American Voices concert.  Click here to read the interview.
By New York City Opera
Friday, October 23, 2009 | 11:29 AM
We're less than two weeks away from opening night, and everyone's abuzz!  Check out what the press is saying about New York City Opera this week:
 
 
 
 
(Ok, not from this week, but worth watching anyway)
 
Also, tune in to channel Thirteen at 12:00pm on Sunday, to watch an interview with George Steel on this weekend's SundayArts.
By New York City Opera
Wednesday, October 21, 2009 | 3:39 PM
EV Day NYTIMES
Sara Krulwich/The New York Times
 
The New York Times published an article yesterday about artist E.V. Day's installation, which will be on view in the David H. Koch theater throughout our fall and spring seasons.  Our favorite quote:
 
 “This is couture,” [Ms. Day] said, pointing out the intricate, tiny beadwork on a dress, details that would probably be lost even to operagoers in the first row. “There are no glue guns with these clothes, no Bedazzlers. These are all hand-stitched. It's an art form.”
 
Click here to read the article or check out the fantastic slide show.
By New York City Opera
Tuesday, October 6, 2009 | 7:12 AM
Due to a high demand for Esther, we are very excited to be adding a performance on Tuesday, November 17th at 8pm.
 
 
For tickets and information, click here.
 
By New York City Opera
Tuesday, September 29, 2009 | 6:58 AM
NYCO-podcastWe've posted a new episode of this Moment in Opera with special guest Charles Kondek, notable playwright and librettist of Esther.   Listen here or subscribe to This Moment in Opera on Itunes to find out:
 
--Which line Charles Kondek wrote on the fly that made it into the opera
--Exactly how exacting Hugo Weisgall could be as a collaborator
--Why Weisgall almost didn't write Esther
--How it feels for a librettist to watch their words leave their hands in the rehearsal process.
 
All this and more in episode 13 of This Moment in Opera
For more information on Esther, click here.
 
By New York City Opera
Friday, September 25, 2009 | 12:58 PM
Broadwayworld.com recently wrote about our Exploding Couture exhibit by artist E.V. Day.  In this piece, "a series of dynamic sculptures made from a selection of vintage City Opera costumes and costume accessories will be dramatically suspended overhead in exuberant simulated motion."  The work will be premiered at our opening night gala and American Voices concert and will be on view through our fall and spring season.  You can be sure to read more about it right here as the piece develops.
 
The Independent just posted a great article on Joyce DiDonato, mezzo-with-the-mostest who sang the role of Sister Helen Prejean in our production of Dead Man Walking a few years ago, and who has had a lot of (well-deserved) attention lately for carrying on her performances of Rosina despite a broken leg.  Joyce will be returning to City Opera for our American Voices concert on November fifth.
 
And finally, not exactly NYCO-related but very dear to our hearts...
 
Fountain 003crop
A view of the iconic Lincoln Center fountain today from our balcony.
 
...the fountain is returning to Lincoln Center next week!
By New York City Opera
Tuesday, September 8, 2009 | 6:44 AM
Labor Day is over, you've packed away your beach balls and white jeans, and after a quick goodbye to the summer, you're ready to welcome a new season:
 
Opera Season
 
Tickets for American Voices, EstherDon Giovanni, L'Étoile, Madama Butterfly, and Partenope are now on sale.  Also available for the first time to the general public are backstage tours.  Add one to your purchase and be one of the first to get a behind the scenes look at the newly-renovated David H. Koch theater. 
 
You can hunt down tickets online, by calling 212-721-6500, or by visiting our temporary box office at Lincoln Center. 
 
We'll see you soon at the opera!
 
 
By New York City Opera
Tuesday, August 18, 2009 | 12:33 PM
Attention all singers!  We are looking for singers of all voice types to join our Associate Chorus this season.  If you've ever dreamed of singing with New York City Opera, here's a great opporutnity.  Read the audition announcement from our Artistic Department below.
 
You are invited to audition for the New York City Opera Associate Chorus for the 2009-2010 season
 
Auditions will held be on:
August 25, 26 & 27, 2009, 12:00-6:00 PM
For Esther by Hugo Weisgall
 
Rehearsals begin September 21, 2009
Performances: November 7, 13, 15 (matinee) & 19, 2009
Applicants must be available for all rehearsals and performances.
 
Applicants must be prepared to present:
2 arias from the standard opera repertory
 
An accompanist will be provided for those who do not employ their own.
 
Applicants will be evaluated on the following criteria:
A high level of musicianship, with attention to correct pitch, rhythm, dynamics, phrasing, and interpretation; solid vocal technique; appropriate diction in the common operatic languages; a sound large enough to carry in the theater; the ability to blend the voice;
stage presence and dramatic sensibility.
 
To secure an audition, send a current resume to:
Jeffrey Guimond, Artistic Planning & Rehearsal Administrator
at
auditions@nycopera.com
or
New York City Opera
20 Lincoln Center
New York, NY 10023
TELEPHONE INQUIRES WILL NOT BE ACCEPTED
 
Applicants are required to prove that they are United States citizens, permanent residents, or have legal permission to work in the United States.
 
New York City Opera is an Equal Opportunity Employer
By New York City Opera
Monday, August 17, 2009 | 7:13 AM
New York City Opera was featured in the New York Times this weekend.  In the article, Anthony Tommasini interviews George Steel and explores our renovations, upcoming season, and plans for the future.
 
Copy of NYCO Esther3 c Carol Rosegg
 
Click here to read the article.
By New York City Opera
Friday, August 14, 2009 | 9:35 AM
NYCO-podcast
 
A new episode of This Moment in Opera, our podcast series, is now available.  Rabbi Jill Hammer joins Cori Ellison to discuss the story of Esther and its relevance today.  You can listen to it here or on Itunes.
 
We're using a new format, with each episode focusing on one guest to make the episodes shorter without having to cut as much of some of the great interviews we have.  Tell us what you think of it and stay tuned for many more episodes exploring Esther and Don Giovanni as we prepare for the opening of our fall season. 
 
To learn more about our 2009-2010 season production of Esther click here.
By New York City Opera
Monday, June 15, 2009 | 2:22 PM
Subscriptions for our 2009-2010 season are on sale to the general public. Now you can purchase a subscription to our season online at www.nycopera.com/subscribe. In addition to purchasing online, you can also ask for the help of the friendly folks who work in our subscription office at 212-496-0600.
 
If you haven't already heard about our upcoming season, click here.
 
By New York City Opera
Thursday, June 4, 2009 | 2:41 PM
NYCO-podcast
 
This Moment in Opera, our podcast series, is back with a new episode where "Cori and the Georges" (Cori Ellison, George Steel and George Manahan) preview the upcoming 2009-2010 season.
 
By New York City Opera
Tuesday, May 5, 2009 | 9:06 AM

Last weekend NYCO held its Tenth Annual VOX Showcase, with a wide array of contemporary American works. New York City Opera interns Kristina, Dimitri, and Alex give their take on VOX 2009.

All three of us really liked Ted Hearne’s Katrina Ballads, which expressed the harsh realities surrounding the Hurricane Katrina tragedy. This piece was Kristina’s favorite because of its unique use of lyrics pulled verbatim from the media. The words really speak to the audience because they are from that moment in history and show the political and social tension during the event. One of the highlights of this piece was the vignette entitled “You’re doing a great job Brownie,” in which the vocal styling resembled those of a DJ’s mix.

 

Interns with Vox-y Mamma
Kristina and Dimitri pose with the "Voxy-y Mama" poster

Dimitri, who’s a huge opera fan, really enjoyed Gordon Beeferman’s The Rat Land. Mezzo-soprano Laurie Rubin stole the show as the isolated daughter of a dysfunctional family. Her acting perfectly portrayed the role of a little girl trapped in the midst of an embarrassing birthday party. Singing the role of her autistic brother, Jonathan Makepeace performed an eccentric duet with a Speak-And-Spell toy. Now we see why the VOX programmers revisited the work, which premiered in 2007, and we are all eagerly awaiting a full-length production somewhere in the near future.

Alex loved Car Crash Opera by Michaela Eremiášová and Jairo Duarte-López. It is an eight-minute piece where the music is set to an animated film by Skip Battaglia depicting a car crash. The film wasn’t shown on Saturday, but we could definitely understand how the music would fit. We could easily identify the different characters--from the truck driver, to the impassioned couple, to the mother and child--just by listening to the piece. The singers’ ability to identify with these characters transported the audience into the passenger’s seat.

Intern Team
Alex, Kristina, and Dimitri
 
We all thoroughly enjoyed VOX this weekend. The Festival not only gives viewers a sneak-peek view of contemporary works, but also showcases some of NYCO’s young talent. We can only hope that some of the operas we saw become produced in the future (yes, that’s how incredible they were). We can’t wait for next year’s festival to see what new works they come up with, and hope to see you there too!

What did you think?

By New York City Opera
Friday, April 24, 2009 | 8:54 AM
New York One spoke with George Steel at our Spring Luncheon this week. Click below to see the full report.
 

NY1 Screengrab




By New York City Opera
Thursday, April 9, 2009 | 11:51 AM
Check out the season below, or click here to read our press release.
 
 
Opening Night
 
Gala
 
On November 5, 2009, New York City Opera celebrates the opening of the 2009-2010 season with a gala concert showcasing the historic role of the company in American opera and musical theater. The concert will feature renowned artists, many of whom began their careers with the company, along with the special participation of the New York City Ballet. This dazzling evening will also honor David H. Koch and welcome our new General Manager and Artistic Director, George Steel.
 
Hugo Weisgall
ESTHER (1993)
 
 Esther
 
Weisgall's Esther has its first revival since its electrifying world premiere in 1993 here at New York City Opera. Based on the tale of the beautiful heroine who rescued her people from near-destruction, Esther earned rave reviews and countelss curtain calls and for its vocal fireworks, hard-hitting drama, and striking visuals by renowned designer Jerome Sirlin.

Wolfgang Amadeus Mozart
DON GIOVANNI (1787)

Mozart
 

New Production
With our gripping new production of Don Giovanni by visionary director Christopher Alden, New York City Opera will do what it does best: taking standard repertory and presenting it with a unique perspective.
 
Emmanuel Chabrier
L'ÉTOILE (1877)
 
L'Etoile
 
Director Mark Lamos creates a witty, sparkling production of this rare operatic gem. L'Etoile (the Star) is a zany caper about a madcap king, an unlucky peddler, the woman they want, and the astrologer that decides their fates.
New this season: a Special Family Program, which will combine an interactive workshop and an abridged child friendly L'Étoile - all at special family pricing.
 
Giacomo Puccini
MADAMA BUTTERFLY (1904/1906)
 
Butterfly Moon
 
New York City Opera's Emmy Award-winning production of Madama Butterfly returns with all the romance, beauty, and tragedy of one of Puccini's greatest operas.
 
 
George Frideric Handel
PARTENOPE (1730)
 
Partenope

Partenope, a gender-bending comedy of royalty and romantic entanglements, had its acclaimed New York premiere here at New York City Opera in 1998 in this touching and fanciful production by Francisco Negrin.
 
Over the summer we will be taking an in-depth look at each of these five productions and giving you the inside scoop on New York City Opera's activities. Check back here for more information on our 09-10 season.
 
Showing 1 — 18 of 18 posts