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Friday, March 19, 2010 | 8:35 AM
Here we go! Last night, City Opera celeberated the opening of the Spring 2010 season with the first performance of Chabrier's L’Étoile. The performance was followed by the annual Spring Gala and Opera Ball hosted on the Promenade of the David H. Koch Theater. The Spring Gala honored City Opera’s devoted Chairman Susan L. Baker for her outstanding dedication to the company in this role, her strong leadership through challenging times, and for her great friendship to the Opera as both ardent advocate and generous supporter. Kate D. Levin, the City of New York Commissioner of the Department of Cultural Affairs, along with Mark Newhouse, President of the New York City Opera Board, both gave speeches about Ms. Baker’s leadership and dedication to City Opera. The Spring Gala helped raise over $1,000,000! Click here to check out photos from the event.
Wednesday, March 10, 2010 | 9:08 AM
City Opera's Erik Gensler speaks with two staff operaphiles about the 2010 Spring Season which includes: a sparkling production of Chabrier’s L’Etoile; the return of the Emmy Award-winning production of Puccini’s Madama Butterfly, and Handel’s intimate romantic comedy Partenope. Dramaturg Cori Ellison and Director of Music Administration Kevin Murphy provide a behind-the-scenes look at each of these operas - what they are most looking forward to, their favorite moments from each of the opera, and their thoughts on the new and returning artists performing this season. Cori and Kevin also reveal their favorite moments from each of these works.
Tuesday, March 9, 2010 | 7:51 AM
New York City Opera is pleased to announce its 2010-2011 season, which spotlights American composers and 20th-Century works within a mix of world premieres, New York premieres and new productions. The 2010-2011 season will also feature the launch of concert series showcasing the non-operatic works of several of the composers of this season’s operas. Click here to learn more about the operas and how to secure your seat for what is sure to be an exciting season here at City Opera!

A Quiet Place
New Production/New York Premiere
Acclaimed director Christopher Alden stages a new production of the final stage work of America's greatest theater composer Leonard Bernstein.
Acclaimed director Christopher Alden stages a new production of the final stage work of America's greatest theater composer Leonard Bernstein.
Intermezzo
Inspired by an incident in his own marriage, Strauss's lighthearted domestic comedy creates a real-life portrayal of his temperamental yet devoted wife. This series of short cinematic vignettes with orchestral interludes follows the fast-paced action in a witty production by director Leon Major.
The Elixir of Love
Donizetti's Italian classic is reimagined with an American swagger in Jonathan Miller's inventive production that captures the 1950's Southwest, complete with soda jerks, a Ford Fairlane, and a dusty roadside diner.
Stefania Dovhan stars as the heart's desire of the lovesick Nemorino, sung by rising tenor David Lomeli in his City Opera debut.
Monodramas
New Production
This triple bill of cutting-edge mini-opera features three virtuoso sopranos taking on tour-de-force roles that showcase the work of vital innovators of modern music. The triptych includes La Machine de l’être by New York composer John Zorn, Arnold Schoenberg's groundbreaking Erwartung and the U.S. stage premiere of Morton Feldman's Neither.
Séance on a Wet Afternoon
New Production/New York Premiere
City Opera presents the New York premiere of the first opera by Stephen Schwartz, the Oscar and Grammy-Award winning composer of hit shows Wicked, Godspell, Pippin and numerous Disney films.
City Opera presents the New York premiere of the first opera by Stephen Schwartz, the Oscar and Grammy-Award winning composer of hit shows Wicked, Godspell, Pippin and numerous Disney films.
This psychological thriller stars the mesmerizing Lauren Flanigan as an ambitious psychic who devises a scheme to win the fame she craves.
Don't miss captivating concert performances featuring special guests including Christine Brewer, Kristin Chenoweth, Raúl Esparza, Lou Reed, Laurie Anderson, and John Zorn.
Bring the whole family to a matinee concert of Oliver Knussen's Where the Wild Things Are, based on the beloved children's book by Maurice Sendak.
Tuesday, March 2, 2010 | 11:37 AM
We here at City Opera have been going through a bit of withdrawal after the recent Closing Ceremonies of the 2010 Vancouver Winter Olympics. The 2010 games were truly an exciting time: the drama! the competition! the opera! Yes, that's right. Opera seemed to be everywhere at this year's Winter Games. American figure skater Mirai Nagasu placed 4th overall with her free skate to selections from Bizet's Carmen. Coincidentally, Stephane Lambiel of Switzerland also came in 4th overall with his free skate to Verdi's La Traviata. One of the most talked about moments at the Olympics (at least for opera fans) was the performance of the Olympic hymn by Canadian soprano superstar Measha Brueggergosman. We were lucky enough to have Ms. Brueggergosman perform at our American Voices concert earlier this season. Here's a clip of her stirring performance from the unforgettable Opening Ceremonies of the 2010 Winter Games.
Monday, February 22, 2010 | 12:30 PM
City Opera resident diva Lauren Flanigan (seen in last fall's Esther) will be featured in The CUNY Graduate Center's "Concerts & Conversations" in a program entitled SOLO: The Art of the Monodrama Tuesday, March 2nd at 7pm.
Subtitled "Wives, Daughters, Queens & Whores-Medieval Voices," the program will include such works as Try Me, Good King (the last words of the wives of Henry VIII) by Libby Larsen, Lady Macbeth (speeches from Shakespeare's Macbeth) by Thomas Pasatieri, Ofelia Lieder by Richard Strauss, excerpts from Telaio: Desdemona by Susan Botti, and excerpts from The Flower and the Hawk by Carlisle Floyd, followed by a discussion. With Miriam Charney, piano, and special guests Annie Ross and Ellen Lauren, among others.
Click here to purchase tickets.

Friday, February 19, 2010 | 12:51 PM
Lauren Worsham has been quite busy since her City Opera debut as Cunegonde in Leonard Bernstein’s Candide back in 2008. Lauren has paired up with librettist Royce Vavrek (whose opera Dog Days will be featured in this year’s VOX Contemporary American Opera Lab) to form The Coterie, a new company specializing in blending the worlds of musical theater and opera. The Coterie works with composers whose music blurs the lines between standard musical theater and opera with rock, pop and jazz influences.
“I wanted to fill the niche for the in-between”, says Lauren. “Royce and I wanted to create a company with a younger audience, so we looked for music that was caught between the genres.” Lauren says that the composers create pieces based on the style and talents of the singers in the company while also experimenting with fusing these varied genres. “I don’t have formal training in opera, but I am interested in more dramatic and more sophisticated works of musical theater that are falling in line with the direction contemporary opera is taking.”
Lauren and Royce will be showcasing the talents of the their company this Monday February 22nd as they present THE COTERIE UN/PLUGGED, VOLUME ONE: LAUREN WORSHAM AND FRIENDS at the Canal Room. The benefit concert will include new works by Vavrek, Obie Award-winner Kyle Jarrow, Taylor Mac and more. These specially-comissioned works with be performed by Tony nominee Barbara Walsh (Falsettos, Company), Theresa McCarthy (Titanic, Floyd Collins) and Andrew Nolen among others. Lauren says she wanted the concert to appeal to an audience that loved new music but also her friends who didn’t really know opera or musical theater. For both Lauren and Royce, it really came down to showcasing some fantastic artists. Adds Royce: "With The Coterie un/plugged concert series, we hope to present events that showcase vocalists that fit the mission of The Coterie: a hybrid singer that is an equal vocalist and actor that lives in the music theater realm. By asking composers to write specifically for these performers we are able to explore the versatility of these awesome artists and cater to their singular abilities. It's really a win-win situation: composers get to write material for an ideal instrument, and the singers get music that shows them off to the utmost effect."
To purchase tickets to The Coterie un/plugged on Monday, February 22nd at 7:30, click here.
Executive Director Lauren Worsham and Artistic Director Royce Vavrek
Wednesday, February 17, 2010 | 8:15 AM
"Man’s love is of his life a thing apart; ‘Tis woman’s whole existence." --Lord Byron
On February 17, 1904, Giacomo Puccini premiered his latest work--a two-act opera about a faithful geisha and a reckless American naval officer--at La Scala in Milan to boos and hisses. That work would go on to become the most performed opera in North America according to Opera America.
Today marks the 106th anniversary of Puccini's Madama Butterfly, the story of the trusting Cio-Cio San whose love for the caddish American B.F. Pinkerton ends tragically when their Eastern and Western worlds collide. Puccini actually wrote five versions of the opera before it was completed in 1907; the final version has been performed in opera houses around the world from Argentina to Australia. City Opera will be performing this version in Mark Lamos's Emmy Award-winning production this season March 19-April 18.
Check out this NPR broadcast from the 100th anniversary a few years ago. It includes interviews from famed Cio-Cio San Renata Scotto and Plácido Domingo (who made his New York debut as Pinkerton in City Opera's 1965 production of Butterfly) and talks about the many incarnations the opera has taken over the past century.
Tuesday, February 9, 2010 | 1:36 AM
Our sparkling production of Chabrier's L'Étoile opens in just a few short weeks. Though Chabrier is not very well known here in the states (Did you know he ruined many a piano with his ferocious playing?), he was a celebrated composer in his native France. Noted for creating a sense of frivolity and joy in each of his works, Chabrier was admired by and influenced the likes of Debussy, Strauss, Ravel, Stravinsky and more. Many people don't know that Chabrier befriended many French Impressionists of his time: Monet, Manet, Renoir, and Degas (who painted the portrait of Chabrier below)
If you want to learn more about Chabrier come to our event, A Chabrier Salon, on March 2nd. L'Étoile cast members Julie Boulianne and François Loup, and conductor Emmanuel Plasson will be on hand to perform some of the composer's enchanting work. The evening will be hosted by Dramaturg Cori Ellison.
Learn more and get tickets here .

Tuesday, January 26, 2010 | 8:56 AM
City Opera returns this year to the Schomburg Center for Research in Black Culture to present Opera at the Schomburg Monday February 1st at 7:00 p.m. As part of our Opera Matters program, this is the beginning of a three part series celebrating the great American opera repetoire that celebrates African-American culture.
Opera at the Schomburg will delve into the substantial role of opera in African-American culture, as documented by the Schomburg’s prized collections of rare scores, librettos, images, recordings, films, and documents. City Opera will once again partner with artists from Opera Noire of New York in presenting live excerpts from operas by composers including John Adams, Edward Boatner, Mark Fax, Scott Joplin, Thea Musgrave, Virgil Thomson, and Clarence Cameron White, interspersed with rare visual images, audio, and video clips of such legendary singers as Jules Bledsoe, Ellabelle Davis, Gloria Davy, and Dorothy Maynor, and lively commentary by distinguished guests.
We stopped by the office of Cori Ellison, NYCO's in-house dramaturg and the curator for the events at the Schomburg Center to ask her a few questions...
How did the partnership with the Schomburg Center start?
Cori Ellison: Shortly after becoming City Opera's dramaturg, in 1997, and delving into the company's history, I was struck by our amazing history of nurturing and presenting the work of African-American composers and performers, as far back as 1945, when the great American baritone Todd Duncan made his NYCO debut, and 1949, when NYCO presented Troubled Island by William Grant Still and Langston Hughes as its very first world premiere. Not only was that early in NYCO's history, but at a time when the Civil Rights movement was barely a twinkle in anyone's eye. And that's just the beginning of a long and proud association between NYCO and the African-American community.
Well, this story seemed to be City Opera's best-kept secret, but I felt strongly that we should get that story told. So the idea of presenting an outreach program on the subject was hatched long ago, but they opportunity didn't present itself until last year, when I was charged with creating a free-standing, travelling outreach series to bolster NYCO's presence while our theatre was being renovated. And the Schomburg Center, New York's foremost institution for the study of black culture, just immediately seemed to be the perfect partner. And they are! Last year we co-presented three sold-out events. And we're aiming for the same this year.
This Monday's program focuses on operas found in the Schomburg's own collection. One of the operas featured will be Clarence Cameron White's little-known but powerful opera Ouanga, a story about the Haitian Revolution. Was the decision to include this piece influenced by the recent earthquake in Haiti?
Actually, Ouanga was selected way before the recent tragic events in Haiti. For one thing, it's a great favorite of George Steel, our General Manager and Artistic Director, and a really original and wonderful piece. That said, we're certainly glad to focus more attention on that struggling nation right now, and our excerpt from Ouanga will definitely be performed very much in that spirit.
Following up on this idea, there will also be an excerpt from the opera I Was Looking at the Ceiling and Then I Saw the Sky, a lesser-known piece by John Adams, and also a particularly relevant opera. Can you give us a little background on the piece?
Ironically, it's about an earthquake, the big Northridge earthquake in 1994, and its impact on impoverished minority communities in Los Angeles. Though John Adams is a white composer, the libretto is by June Jordan, the late African-American author and activist, and several of its protagonists are black. We also planned that piece well before the earthquake in Haiti, but we've ended up with a surprisingly topical program.
Also on Monday night's program are excerpts from Scott Joplin's great Treemonisha, Virgil Thomson's Four Saints in Three Acts, and operas by Edward Boatner, known mostly for his arrangements of spirituals, and Mark Fax. And we have a great cast: soprano Donita Volkwijn, mezzo Kendall Gladen, tenor Robert Mack, and baritone Sidney Outlaw, with our Director of Music Administration Kevin Murphy at the piano. I can hardly wait!
Click here to purchase tickets and learn more about these events.
Friday, January 15, 2010 | 11:35 AM
With American Idol returning to the airwaves this month, it’s hard not to notice all of the talent-competition television shows crowding one’s DVR. With every click of the remote, you’re bound to stumble up on some amateur designers competing to create the best outfit/hairstyle/model pose or celebrities dancing to win who knows what. Low and behold, another profession is being tackled by the reality-television world: the opera singer. ITV Studios in London has been commissioned to produce a new reality series entitled Popstar to Operastar. According to WorldScreen.com, “The show will follow eight singers as they transition into the world of opera, with the help of professional mentors Katherine Jenkins and Rolando Villazon. The contestants will perform world-famous opera songs, training in a completely different style than they are used to and also a completely different language. The viewers decide the winner of the show, voting each week for who stays.” Interesting fact: host Rolando Villazon (pictured below) played Rodolfo in the 2000-2001 season production of Puccini’s La Bohème, which was filmed for Live from Lincoln Center. The show is slated to be filmed and released early this year. What do you think? Will they find the next opera star?
Photo by Carol Rosegg
Thursday, January 7, 2010 | 2:12 PM
Interior Design Magazine featured our fabulous E.V. Day exhibit, located in the promenade of the David H. Koch Theater, as part of their "In the Air, 2009" celebrating the "winds of change that blew through the year's design and art". You can view the exhibit when we begin our Spring season March 18th!
Photo by Carol Rosegg
Tuesday, December 15, 2009 | 8:30 AM
Rice Krispies have been a staple of the American breakfast table for years, but have yours ever been accompanied by a famous aria? Check out this commercial from the late 60s where a father laments the loss of his favorite breakfast cereal. You may recognize the tune as the big tenor aria "Vesti la giubba", the first act finale of Leoncavallo's Pagliacci, made famous by Enrico Caruso.
The song has been featured in numerous films, television shows, commercials, and video games, anywhere ranging from Seinfeld to Grand Theft Auto.
Monday, December 7, 2009 | 12:02 PM
Who knew New York City Opera could be your stepping stone to an Oscar? Wowing critics and audiences, Anna Kendrick is getting rave reviews and Oscar buzz in her role as the uptight Natalie Keener in the new film Up in the Air costarring George Clooney. Kendrick is no stranger to the theater and opera community, having starred in the cult indie hit Camp and earning a Tony nomination for her performance in Broadway’s High Society. City Opera had the chance to work with Anna in our starry 2003 revival of A Little Night Music (seen here with Claire Bloom). Check out her interview with Moviefone where she discusses her young start on the stage and her budding film career.

Photo by Carol Rosegg
Wednesday, December 2, 2009 | 7:36 AM
Think you've heard every version of the world's most famous aria? Check out this rousing rendition of one of Bizet's most beloved classics!
Monday, November 23, 2009 | 2:14 PM

One couple who attended Jewish Singles Night at Esther are Jewish Singles no more. Darren, an opera lover, took his girlfriend, Tracy, to Jewish Singles Night last Thursday. During the first intermission Darren proposed to Tracy who said "yes." This was their last singles event. Mazel Tov.
Tuesday, November 17, 2009 | 9:35 AM

This week, opera companies across America are celebrating National Opera Week. For our part in this celebration, City Opera will be dedicating all performances to this celebratory occasion.
We will pay special tribute to Frank Corsaro, who made his directorial debut with us in 1958, and Julius Rudel, who became the General Director of City Opera in 1957, with a short speech from George Steel on stage prior to the performance of Esther this Thursday. Mr. Corsaro and Mr. Rudel are both recipients of the 2009 National Endowment for the Arts Opera Honors.
We will pay special tribute to Frank Corsaro, who made his directorial debut with us in 1958, and Julius Rudel, who became the General Director of City Opera in 1957, with a short speech from George Steel on stage prior to the performance of Esther this Thursday. Mr. Corsaro and Mr. Rudel are both recipients of the 2009 National Endowment for the Arts Opera Honors.
Check out these videos about each recipient, including City Opera Dramaturg Cori Ellison's interview about the Julius Rudel era at City Opera.
Tuesday, November 10, 2009 | 8:28 AM
The reviews for our Fall productions of Esther and Don Giovanni are pouring in. You can access them all in one place in our pressroom. If you have any reviews or comments about these productions please post them on our Facebook page: http://www.facebook.com/nycopera
Friday, October 30, 2009 | 12:23 PM

With all the changes in the weather lately, it seems like everyone in New York is reaching for tissues and hand sanitizer. But although we all may get a bit fidgety when the person sitting next to us on the subway starts coughing or sneezing, there are few professions that require more health-consciousness than being an opera singer. Since we've been interviewing the cast of Don Giovanni lately for an upcoming behind-the-scenes video, we got their opinions on how to survive cold & flu season singer-style.
- "It is all about sleep. That is number one, really and truly," says Daniel Okulitch, who plays Don Giovanni. If you're well rested, he says, you can handle situations that could leave you prone to sickness, like riding the subway or touching props that may have been coughed on...kissing your costars in rehearsal doesn't help, either. His castmates all put being well-rested near the tops of their lists.
- When Gregory Turay, who's singing Don Ottavio, says to "eat right," he has very specific ideas of what it means. Only fruit in the mornings, sushi, veggies, no dairy, starches, sugars, or carbs. "You want to make your body as alkaline as possible," Turay says, "so the viruses don't have an opportunity to thrive." He also recommends tea with lemon, honey and cayenne pepper when you're feeling under the weather.
- "I've used three things to keep me healthy: sleep, Zicam, and chocolate" says Joélle Harvey, who's playing Zerlina. "Definitely chocolate. I don't know about health benefits, but it makes everything feel better."
- Amanda Pabyan, who's covering the role of Donna Anna, has to be the one left standing when everyone gets sick. What's her secret? "Swish with pineapple extract and water when you feel that scratch on your throat. You can also buy it in pill form. The extract is a homeopathic anti-inflammatory and the juice takes the sting away from a sore throat."
Other popular answers from the whole cast were to exercise regularly and wash your hands frequently. "Basically, take care of yourself and be considerate of your colleagues," says Amanda Pabyan, "if one person is sick, it's really easy to pass it from person to person."
Monday, October 26, 2009 | 12:14 PM
Joyce DiDonato
Playbill Arts recently interviewed Joyce DiDonato, who will be appearing here next week in our American Voices concert. Click here to read the interview.
Friday, October 23, 2009 | 12:54 PM
Greetings Shoppers!
It's Dame Lori, writing in to report that October is the Spookiest Month for us at City Opera Thrift Shop...there is so much scary great fun going on.
Last week we celebrated with The Costume Event--what an astonishing evening! Over 200 Vintage Costumes donated from the warehouse were on sale...ball gowns, beggars gowns, faustian frocks, flamenco frills, gas masks and cod pieces, too. When the doors opened, the crowds flew in from alll over the world and fled
through to scoop up these amazing pieces. Hauling out 4 huge bags of costumes were the owners and special effects wizard of Blood Manor, NYC's Most Haunted House, ecstatic over the scary ripped beggars rags they scored to style their monsters and freaks. On a higher, more sophisticated plane, our friends and devotees, Sophie Eustache and Pamela Meurice, were all aglow in their fine costuming stylings preparing for next year's Carnivale in Venice- their 12th season in a row!

Oh readers, how I LOVE VINTAGE....and it's coming to City Opera Thrift Shop next Wednesday evening from
5-9:00 pm. Vintage is how I have been able to dress and style myself and it's definitely how I developed my Soul Style. Finding one piece of vintage can spiritually, emotionally and physically change your personality in a heartbeat. We have hundreds of pieces that can instantly transform a depressed unemployed customer into a courtesan strolling down The Avenue des Champs-Elysees for less than $50!
I enter the orchestra pit of the basement to explore the VINTAGE scene and bump into Jay Thompson, the leader and genius behind everything genius at the store. Jay knows the power of each piece and sums up this event brilliantly, "VINTAGE is a very fun hodge podge event and big treasure hunt! "
Aha, I see the hodging and podging happening in front of my eyes...silk mandarin dresses and robes, batiks from Bali, ponchos from Mexico, sexy mumus and hostess gowns. And as I touch each piece, I imagine all the designers inspired by them....Vivienne Tam, Anna Sui,Todd Oldham, Moschino, Isaac Mizrahi and so on and so on. And now the little treasures....the gorgeous designers who are resting their souls....Bill Blass, YSL, Chanel and Pauline Trigere all waiting for you, mixed in with other precious designs for you to touch and be visually and sensually inspired. And the furs, always the furs..how 'bout a stole for a steal at $75? Don't forget the endless accessories, big and chunky is the look or dainty and demure....however you want it--VINTAGE will personalize your look with the add on of ONE PIECE and it's CHEAP!
For the bigger treasures, I go upstairs to a little sideroom where I find the handsome Jeremy Forbis, assistant manager sporting a new facial style....a beard! Which makes him very profound when he says..."Imagine ABC Carpet & Home with Thrift Shop Prices." I pull a few images out of him... vintage teak, 70's chrome and glass, lucite, 50's daybed. Thank you, Jeremy...what's next- a handlebar mustache?
And as I exit, I fix my eyes on a brand new feature at the Shop- Lana Weiss, a 22 year old fashion designer, vintage lover and recent college graduate who just moved to NYC from Illinois to land a job at Vogue's favorite highest quality thrift shop. Wearing a classic vintage red top and blue skirt, this talented young woman gushed that she is "really really really excited about next Wednesday!"
Fashion History Continues.
Classic designs never go out of style.
Everything old is new again.
Join the Vintage Revolution on October 28.
5:00-9:00 pm
City Opera Thrift Shop
222 E. 23 St., , between 2nd & 3rd Avenue
So come join our team of experts on hand...I will be hosting, along with a special slew of vintage soul stylsts on hand to assist you. Always Yours, Dame Lori







